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COVID-19ワクチン接種後の有害事象・死亡例 ■ WORLDWIDE SURGE OF SPORTS PEOPLE SUFFERING SUDDEN HEALTH ISSUES AND DEATH 「notonthebeeb（2021.11.4頃）」より ※ 下記記事を知らせるツイート ※ 「Alzhacker@Alzhacker」さんがツイートで詳細を翻訳してくださっているツイートスレッド マーク・プレイン 3日前（※日本時間2021.11.7 19 24基準で） 7分前 世界的に急増するスポーツ選手の突然の体調不良と死 更新日：1日前 世界で最も健康な人々の間で起こる突然の「出来事」のリストは、日々増え続けています。 注：私たちが見逃している記事を発見された方は、こちらのコメント欄または専用のテレグラムグループに追加してください。スポーツ選手 https //t.me/joinchat/M1FOq7bXdjA4YjY0 ノルウェイ - 2021年11月2日 ストックホルム：アイスランド人のMFエミール・パルソンは、月曜日の夜、ノルウェー2部リーグのサッカーの試合中に心停止を起こして倒れたと、所属のサッカークラブであるソグンダルが発表しました。 28歳のMFは、ノルウェー西部のフォッショーガネ・キャンパス・スタジアムで行われたStjordals-Blinkとの試合の12分に突然倒れました。 "エミール・パルソンは、試合開始から12分目に心停止を起こしました。蘇生に成功したパルソンは、その後ハウクランド病院に搬送され、さらなる検査と治療を受けました」とクラブのSogndal Fotballは声明を発表しました。 試合はすぐに中断され、選手たちはドレッシングルームに戻され、医療スタッフがパルソンを取り囲んで蘇生作業を開始しました。 詳しくはこちらをご覧ください。 https //www.nst.com.my/sports/football/2021/11/741933/footballer-collapses-heart-attack-during-game-norway ーー イギリス - 2021年11月3日 ロングリッジ・タウンFCは今朝、ツイートして発表しました。「今朝、元選手の@jordantucker117が亡くなったことを聞いて、@LongridgeTownFCのみんなはとてもショックを受けています。 https //www.lep.co.uk/news/people/a-great-player-and-more-importantly-a-great-lad-tributes-flood-in-for-former-longridge-town-captain-jordan-tucker-3443212 ーー 米国 29歳のプロのマウンテンバイクレーサーであるカイル・ワーナーは、ファイザー社のCOVID-19注射の2回目の投与後に、心膜炎、体位性頻脈症候群、反応性関節炎を発症しました。 注射の約2週間後、ワーナー選手は心拍数が極端に上昇しましたが、ERの医師はこれを注射の副作用とは認めず、「精神病エピソード」のせいにしました。 さらに心臓の異常を感じて別の病院を受診したワーナーは、心臓専門医に紹介され、心膜炎（心臓の外側の膜に起こる炎症）と診断されました。 https //childrenshealthdefense.org/defender/kyle-warner-vaccine-injuries-pfizer-covid-shot/?utm_source=salsa eType=EmailBlastContent eId=6bd95175-d91d-4171-891d-b4dac87f455a ーー インド 2021年10月16日 元インドUnder-19キャプテンで、2019-20シーズンのランジ・トロフィー優勝チームのメンバーでもあるサウラシュトラの打者アヴィ・バロットが、29歳という衝撃的な若さで心停止を起こし、亡くなりました。 詳しくはこちらをご覧ください... https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece) ーー アンティグア 西インド諸島の2人の選手-チネル・ヘンリー、チェディアン・ネイションがフィールド上で倒れました。 金曜日にアンティグアで行われたパキスタン女子とのT20I第2戦で、西インド諸島の選手であるオールラウンダーのチネル・ヘンリーとバッツウーマンのチェディアン・ネイションが、それぞれグラウンドで倒れるという異常事態が発生しました。クリケット・ウェスト・インディーズの広報担当者によると、ヘンリーとネーションはすぐに病院に搬送されましたが、意識は安定していました。どちらの事件も10分以内に起こったもので、それにもかかわらず、試合は没収されませんでした。突然倒れた理由はまだ不明ですが、両選手とも現在は安定しているとのことです。 https //www.india.com/sports/cricket-two-west-indies-players-chinelle-henry-chedean-nation-collapse-on-field-during-2nd-t20i-against-pakistan-women-watch-video-4785827/ ーー 世界的に有名なフリーダイバーが心筋炎を発症 2021年10月6日 現在、世界トップのスタティック・ブレスホールド・フリーダイバーであるフロリアン・ダグーリ氏が、ファイザー社製ワクチンの2回目の接種から40日後に心筋炎と心膜炎と診断されました。彼は公式に10分30秒も息を止めていたことで知られています。フランス出身でタイを拠点とするこのエリート・フリーダイバーは、息止め能力の著しい低下を経験し、心臓専門医に相談したところ、ファイザー・ワクチンの一般的な副作用であると言われました。 彼の言葉を借りれば QUOTE 「...心筋炎、心膜炎、そして些細な僧帽弁閉鎖不全症！？ありがとう、ファイザー。 ワクチン接種後の私の迷惑な経験を共有したいだけで、おそらく同じような経験をしたフリーダイバーからの証言もあるでしょう。良くなりましたか？ 2回目の接種後、私は心拍数が通常よりはるかに高く、息止め能力が著しく低下していることに気づきました。睡眠中の心拍数は37～45bpmではなく、65～70bpmです。日中は、座ってリラックスしていても、65bpmではなく、常に100bpmを超えています。友人と食事をしているときに177bpmに達したこともあります。!!!! 2回目のワクチン接種から10日後、心臓専門医に診てもらったところ、ファイザー社のワクチンの一般的な副作用であり、心配することはない、ただ安静にしていれば過ぎ去るだろうと言われました。2回目のワクチン接種から40日後、私は何の進展もなかったので、別の心臓専門医に診てもらったところ、心筋炎、心膜炎、三叉神経弁閉鎖不全症と診断されました。心筋炎、心膜炎、三尖弁閉鎖不全症と診断されました。基本的には、免疫系による心臓の筋肉の炎症と、正常に閉じなくなった弁からのわずかな血液の漏れです。今では150mのダイブで8分間の息止めをするのに苦労し、40mのダイブでは強い息切れを感じるようになりました。およそ30％のダイビングパフォーマンスの低下です。 https //www.instagram.com/p/CUrJkJ-FuFd/ ーー ゴールドコーストのサッカーコミュニティは、フィールドで心臓発作を起こした少女（14歳）の周りに集まった 2021年10月18日 サッカーの試合中に心臓発作を起こしたゴールドコーストの健康で活発な少女が、昏睡状態から脱しましたが、回復には長い時間がかかりそうです。 14歳のアヴァ・アゾパルディは、金曜日の夜、14歳以下の15歳以下のグランド・ファイナルでマジック・ユナイテッドと対戦したランナウェイ・ベイでプレーしていましたが、フィールド上で倒れ、心停止状態に陥りました。 https //www.google.com.au/amp/s/7news.com.au/sport/soccer/gold-coast-soccer-community-rallies-around-girl-14-after-suffering-heart-attack-on-field-c-4269085.amp リストはまだまだ続きます.... デンベレ（29歳）、アトレティコ・マドリードのストライカーがトレーニング中に倒れ、医師の手当てが必要 https //www.youtube.com/watch?v=-R2_5LMobXc https //www.youtube.com/watch?v=-R2_5LMobXc%C2%A0) アレックス・アポリナリオ、24歳、ブラジルのサッカー選手が試合中にピッチで倒れて死亡。 https //www.cbssports.com/soccer/news/brazilian-soccer-player-alex-apolinario-dies-after-collapsing-on-pitch-during-match-in-portugal/ イギリスのジャック・ドレイパー（19歳）がマイアミ・オープンで倒れる。 https //www.youtube.com/watch?v=VDuOP0V1nUw https //www.youtube.com/watch?v=VDuOP0V1nUw%C2%A0) ミルコ・キド（36歳）、オリンピック金メダリスト、試合中に心臓発作で死亡： https //www.reuters.com/lifestyle/sports/indonesian-doubles-star-kido-dies-heart-attack-36-2021-06-14/ ガーナのレフリーがAFCONの試合中に倒れる。 https //www.youtube.com/watch?v=cvPQO44NzN4 https //www.youtube.com/watch?v=cvPQO44NzN4%C2%A0 ゴンザガ対USCの男子エリート8の試合中、バート・スミス主審が血栓のためコート上で倒れる。 https //www.espn.com/mens-college-basketball/story/_/id/31222546/referee-bert-smith-says-blood-clot-lung-caused-fall-ncaa-tourney https //www.espn.com/mens-college-basketball/story/_/id/31222546/referee-bert-smith-says-blood-clot-lung-caused-fall-ncaa-tourney%C2%A0) ジョシュ・ダウニー（24歳、クリケット選手）が練習中の心臓発作で死亡https //www.bbc.co.uk/news/uk-england-nottinghamshire-57058626 ジュゼッペ・ペリーノ（29歳）、元パルマのサッカー選手、追悼試合で倒れて死亡https //www.thesun.co.uk/sport/football/15151824/giuseppe-perrino-dead-29-parma-brother/ レイモンド・ヴァン・バーネベルドがPDC選手権中に倒れ、救急隊員の手当てを受ける。 https //www.dailystar.co.uk/sport/darts/pdc-players-championship-8-suspended-23759939 Devaraj Anchan（33歳）、バレーボール選手が試合中に倒れ、死亡。 https //www.thehindu.com/news/cities/Mangalore/volleyball-player-collapses-during-game-dies/article34185430.ece ガリソン・イノセント（20歳）、試合中に心臓の異常な電気インパルスのために倒れ、意識不明に。 https //www.thesun.co.uk/sport/football/13901939/goalkeepers-rushed-hospital-collapsing/ Ethan Jovani Trejo, 16歳のサッカー選手がトレーニング中にフィールドで倒れる。 https //eu.cincinnati.com/story/news/2021/06/25/teen-dies-after-medical-incident-princeton-high-school-field/5344293001/ Samuel Kalu（24歳）、ボルドーのスター選手、サッカーの試合開始数分後に倒れる： https //www.bbc.com/sport/football/58228778 ロイ・バトラー（23歳、アイルランドのサッカー選手ワトフォードFC）がジャンセンの後に死亡。 https //twitter.com/NewsForAllIre/status/1428301909715296263?s=20 Dylan Rich, 19, FA Youth Cup - player suffered sudden cardiac arrest on the field, pass away https //www.bbc.com/news/uk-england-nottinghamshire-58496077 Vinny Curry, 33, 血栓のためシーズン終了。 https //nypost.com/2021/08/25/jets-vinny-curry-out-after-rare-blood-disorder-diagnosis/ キャメロン・デール（29歳）、記録を更新中のオーストラリア人セーラー、壊滅的な脳卒中により死去 2021年9月1日 QUOTE "...ジェシカ・ワトソン（最年少単独セーラーとして世界一周を達成したオーストラリア人）の長年のパートナーが、「壊滅的な」脳卒中に見舞われた後、数週間後に病院で亡くなった。 キャメロン・デール（29歳）が月曜日にゴールドコースト大学病院で亡くなったことを、ワトソンはInstagramで確認しました。 "2021年8月30日（月）、私たちはカムを失いました。人生のあらゆる面で、そして計画された将来において、私の長期的なパートナーです。" と彼女は書いています。 続きはこちらから... https //7news.com.au/sport/sailing/australian-sailor-jessica-watson-reveals-sudden-death-of-partner-cameron-dale-c-3845979 コロンビア高校の若いサッカー選手2人が死亡。 https //www.wistv.com/2021/09/04/he-would-love-it-donadrian-robinsons-family-reacts-tribute-wj-keenan-high-school/?outputType=apps ボリウッドのスター、40歳が心臓発作で死亡 https //www.dailymail.co.uk/news/article-9950385/Indian-TV-film-star-Siddharth-Shukla-40-dies-heart-attack.html#reader-comments トム・フェルトン（34）がゴルフ中に倒れる。 https //bbc.in/3i4YpI5?fbclid=IwAR0aZBaXpiX9ky34g3eLiG3pcMs5r2udih4kRGUIi7GOBK3iciefX1-qoXk フランシス・ペロン（25歳）、オタワのサッカー選手、試合後に死亡https //www.cbc.ca/news/canada/ottawa/usports-ottawa-gee-gees-francis-perron-dies-1.6182332 パリス・ハラルソン（37歳）、元セインツのラインバッカーが死去https //www.usatoday.com/story/sports/nfl/2021/09/13/parys-haralson-former-49-ers-and-saints-lb-dies-37/8328669002/ ジミー・ヘイズ（31歳）、元ブルーインズの選手、突然死：https //www.bostonglobe.com/2021/08/23/sports/jimmy-hayes-former-bruin-boston-college-hockey-champ-dies-31/ ヌイス、31 歳、オランダのプロスケーター、心臓の炎症で入院： https //www.rtlboulevard.nl/entertainment/news/artikel/5243606/kjeld-nuis-vaccinatie-ziek-update John Stokes, 21, Tennessee Uni のアスリート、心臓の炎症で入院。 https //www.yahoo.com/lifestyle/student-athlete-john-stokes-myocarditis-covid-vaccine-002451374.html?guccounter=1 Jake Ehlinger, 20, 死体で発見-原因不明。 https //usdaynews.com/celebrities/celebrity-death/sam-ehlinger-brother-death-cause/ Jeremy Chardy, 34, テニスプロ、ワクチン接種後、トレーニングやプレーができない。 https //www.tennisworldusa.org/tennis/news/Tennis_Interviews/102836/jeremy-chardy-i-regret-getting-vaccinated-i-have-series-of-problems-now/ フランチェスカ・マルコン（38）、バレーボールのプロ選手、ワクチン接種後に心膜炎を発症し、プレーできず。 https //www.lapressa.it/notiziario/sport/la-campionessa-di-volley-ho-una-pericardite-post-vaccino 木下雄介、27歳、野球のプロ選手、ワクチン接種後7週間で死亡： https //thecovidworld.com/yusuke-kinoshita-27-year-old-japanese-professional-baseball-player-dies-7-weeks-after-covid-19-vaccine/ アレックス・スタロック（34歳）、NHLオイラーズのゴールキーパー、心臓疾患のため今シーズンは欠場： https //ca.sports.yahoo.com/news/nhl-oilers-goalie-alex-stalock-miss-entire-season-with-heart-condition-covid-19-related-191817673.html Ceylin Alvarado（23歳）、プロサイクリスト、血液の合併症のためシーズンを終了。 https //www.nu.nl/sport-overig/6160296/veldrijdster-alvarado-voorlopig-niet-in-actie-door-verstoord-bloedbeeld.html Greg van Aevermat（36歳）、プロサイクリスト、ワクチン以降のフォームの喪失：https //www.indeleiderstrui.nl/wielrennen/van-avermaet-wijst-naar-vaccin-als-oorzaak-vormdip-op-deze-manier-heeft-wk-geen-zin/amp?__twitter_impression=true ベルギーの若手サイクリスト3名、レース後に心臓疾患を発症。 https //rtv.be/artikels/jonge-kempense-wielrenners-krijgen-hartklachten-na-vaccinatie-a102612 Kamila Label-Farrel, 19, ユニ・バスケットボール・スター、突然の死。 https //www.baytoday.ca/obituaries/lebel-farrell-kamila-3884874 ジェイコブ・ダウニー（19歳）、クイーンズ大学のホッケー選手が緊急事態の後に死去。 https //www.kawartha411.ca/2021/10/01/local-teen-queens-university-student-passed-away-suddenly-after-medical-emergency/ Christian Eriksen, 29, ユーロ大会で心臓疾患のために倒れるhttps //youtu.be/s0B03LSzXvo Josh Archibald, 28, オイラーズのホッケーフォワード、心筋炎のため無期限離脱。 https //www.si.com/hockey/.amp/news/oilers-forward-josh-archibald-out-indefinitely-with-myocarditis ジェン・グーヴェイア（38歳）、ランニング中に心停止。 https //toronto.ctvnews.ca/husband-of-toronto-mother-who-died-suddenly-on-run-says-he-lost-his-everything-1.5501767 カイル・ワーナー（プロBMXサイクリスト）、ワクチン接種後に心膜炎を発症。 https //youtu.be/aebtcTi7EaA 16歳の若者がウェイトリフティングの後に心停止。 https //www.straitstimes.com/singapore/health/16-year-old-suffers-cardiac-arrest-following-strenuous-weightlifting-session-six アトランタ・ホークスのスター選手、ブランドン・グッドウィン（26歳）が、血栓によりキャリアを終えた。 https //www.peachtreehoops.com/2021/10/3/22706769/former-atlanta-hawks-guard-brandon-goodwin-claims-covid-19-vaccine-ended-his-season グラスゴーのホッケー選手、Ewan Fraser（30歳）が心停止に陥り、逝去。 https //www.thescottishsun.co.uk/news/7832060/glasgow-hockey-player-died-collapse-life/amp/?__twitter_impression=true デビッド・ジェンキンス（31）、オリンピック銀メダリストのダイバー、突然の死。 https //metro.co.uk/2021/10/12/david-jenkins-dead-at-31-tributes-pour-in-for-team-gb-olympic-diving-coach-15404658/amp/?__twitter_impression=true ポール・ジスパー（27歳、ミュンヘンのバスケットボール・プロ）、JとJに関連した脳出血で緊急手術を受ける。 https //www.fr.de/sport/drama-um-zipser-90801217.html ノルウェーのランナー、Filip Ingebrigsten（28歳）は、ワクチン接種後にフォームが崩れてしまう。 https //norwaytoday.info/sport/filip-ingebrigtsen-is-back-in-training-after-experiencing-long-corona-vaccination-side-effects/ Avi Barot（29歳）、サウラシュトラ州のクリケット選手が心停止を起こし、亡くなる。 https //www.thehindu。(https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece) 若いクリケット選手が死亡。 https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece Abou Ali, 22, プロサッカー選手、試合中にピッチ上で倒れる：https //www.thesun.co.uk/sport/football/16118079/footballer-wessam-abou-ali-awake-hospital-collapse/ ファブリス・ナサカラ、31歳、ベシクタスのディフェンダーが試合中にピッチ上で倒れる： https //www.theguardian.com/football/2021/aug/22/fabrice-nsakala-besiktas-collapse Jens De Smet, 27, サッカー選手が試合中に倒れ、心臓発作で逝去 https //newswep.com/jens-27-collapses-on-the-football-field-and-dies-this-is-not-maldegem/ Jente van Genechten, 25, サッカー選手、心臓発作のためフィールド上で倒れる： https //www.sudinfo.be/id411745/article/2021-08-18/25-ans-un-joueur-belge-de-football-fait-un-arret-cardiaque-sur-le-terrain-avant Frederic Lartillot, フランスのサッカー選手が、試合後に更衣室で倒れ、心臓発作のために亡くなる。 https //www.leprogres.fr/culture-loisirs/2021/09/11/deces-d-un-joueur-de-foot-apres-un-match-ses-coequipiers-ont-tout-tente-pour-le-sauver ベンジャミン・タフト（31歳）、ドイツ人サッカー選手が試合後に倒れ、心臓発作のため逝去。 https //www.anpfiff.info/mobile/sites/cms/artikel.aspx?SK=2 amp;amp;amp;amp;amp;Btr=96044 amp;amp;amp;amp;amp;Rub=390 (自動翻訳されています) 人気者のベンジャミン・"ベニー"・タフトの死に、彼のガールフレンド、家族、友人、サッカー選手たちは大きな悲しみを持って反応しました。33歳の彼は、先週、ベルンガウで、彼がシーズン初めから選手コーチとして率いていたSVウンターフェライデンの試合後、突然の失神、そして最後には心臓発作を起こし、病院での改善を何度も求められました。集中治療室での治療の後、早期に退院の見通しが立ち、リハビリテーション対策のために通常の病棟に移されました。しかし、月曜日の朝、まったく驚くべき、あまりにも悲しいニュースが続きました。 https //www.anpfiff.info/mobile/sites/cms/artikel.aspx?SK=2 Btr=96044 Rub=390 ルーン・コーゲ選手（18歳、ベルギー人サッカー選手）がピッチ上で心停止しました。 https //www.sudinfo.be/id409738/article/2021-08-07/rune-jeune-joueur-de-18-ans-secroule-sur-le-terrain-du-rds-plus-le-temps-passe ヘレン・エドワーズさん、ワールドカップ予選中に心臓の問題でコートから退出した主審。 https //www.rtl.de/cms/dfb-spiel-unterbrochen-linienrichterin-vom-platz-getragen-4834888.html Dimitri Lienard, 33, FC Strasbourgのミッドフィールダーが試合中に倒れる。 https //madeinfoot.ouest-france.fr/infos/article-rc-strasbourg-dimitri-lienard-a-ete-victime-d-un-malaise-354221.html セルヒオ・アグエロ（33歳）、バレセロナのスターストライカー、試合後に心臓検査のため病院に入院。 https //www.cnn.com/2021/10/31/football/sergio-aguero-barcelona-chest-pain-spt-intl/index.html エミール・パルソン（28歳）、ソグナルのミッドフィールダーが試合中に心停止で倒れる。 https //www.independent.co.uk/sport/football/norway-footballer-emil-palsson-cardiac-arrest-b1949583.html アントワン・メシャン（31歳）、フランスのトライアスロン選手、モデナの試合後に肺塞栓症を発症。 https //www.sudouest.fr/sport/course-pedestre/triathlon/le-triathlete-saintais-antoine-mechin-met-un-terme-a-sa-saison-et-ne-se-referait-pas-vacciner-si-c-etait-a-refaire-6234090.php ルイス・オヘーダ（20歳）、アルゼンチンのサッカー選手、突然の死。 https //www.antena3.com/noticias/deportes/futbol/emotiva-carta-lola-ortiz-muerte-novio-futbolista-luis-ojeda-soporto-idea-volver-ver-verte-nunca-mas_20210426608696616e5d5b0001eb20e9.html Greg Luyssen, 22, ベルギーのプロサイクリスト、心臓疾患のためキャリアを終える。 https //kw.be/sport/wielrennen/wielerbelofte-greg-luyssen-22-uit-de-panne-over-gedwongen-afscheid-door-hartprobleem-dat-akelig-gevoel-wil-ik-nooit-meer/ ペドロ・オビアン（29歳）、元ウェストハムのスター選手、ワクチン接種後に心筋炎を発症。 https //thecovidworld.com/pedro-obiang-29-year-old-professional-footballer-suffers-myocarditis-after-covid-19-vaccine/ Cienna Knowles（19歳）、馬術のスター選手が血栓のために入院。 https //www.news.com.au/lifestyle/health/health-problems/teen-equestrian-star-cienna-knowles-hospitalised-with-blood-clots-after-pfizer-vaccine/news-story/286e7cd42e896b091e4b257322296a05 Boris Sadecky, 24, スロバキアのホッケー選手、ホッケーの試合中に心臓発作で死亡： https //www.rt.com/sport/539312-bruno-sadecki-hockey-player-khl-death/ ウィキペディア アソシエーション・フットボール選手の死亡に関するウィキペディアの記事 https //en.m.wikipedia.org/wiki/List_of_association_footballers_who_died_while_playing 注：私たちが見逃した記事をさらに発見された場合は、こちらのコメント欄または専用のテレグラムグループに追加してください。 スポーツ関係者 https //t.me/joinchat/M1FOq7bXdjA4YjY0 .
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The Fantastic Inventions of Nikola Tesla (The Lost Science Series) Adventures Unlimited Pr? Nikola Tesla? David Hatcher Childress? AdventuresUnlimitedPr? NikolaTesla? DavidHatcherChildress? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Biographies&Memoirs-People,A-Z-(T)-Tesla,Nikola? Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology of the Gods The Incredible Sciences of the Ancients Adventures Unlimited Pr? David Hatcher Childress? AdventuresUnlimitedPr? DavidHatcherChildress? ジャンル別? 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Quatrième tableau (Le théâtre représente une partie de l atelier de fonderie établi dans le Colisée. Au fond, un rideau cachant la fournaise et les ouvriers fondeurs. Deux portes, à droite et à gauche. Différents ouvrages de Cellini, en or, en argent, en bronze et en étain, répandus ça et là à terre, ou posés sur des dressoirs. L horloge sonne quatre heures) N° 21 - Entracte Scène Septième (Ascanio entre en gambadant par la coulisse de gauche) N° 22 - Air ASCANIO (seul) Tra, la, la, la, la, la... Mais qu ai-je donc? Tout me pèse et m ennuie! Mon âme est triste. Mais bah! tant pis! Quand vient la mélancolie, Que d ennui j ai le cœur pris, Tra, la, la, la... moi je chante et je ris, Moi soudain je m étourdis. C est donc ce soir que l on baptise, Dans le feu notre enfant d airain, Le Colisée est son église, Le Très Saint-Père est le parrain, Et les témoins tout le peuple romain! Tra, la, la, la, la, la... Mais qu ai-je donc, etc. (en remémorant la scène antérieure) Ah! ah! ah! ah! la bonne scène! － A moi, mes gardes! qu on l entraîne. － Chut, Très Saint-Père... ou ce marteau... － Tout beau! tout beau! je capitule; Dès qu on avance, je recule. － Alors, primo, je veux ma grâce. － Concedo. － Et secondo je veux Teresa. － Concedo. Tout à coup le Saint-Père s arrête, De mon maître il lui faut la tête, Rien que cela? Ah! ah! ah! ah! － Si Persée enfin n est fondu, Dès ce soir tu seras pendu. Pendu! pendu! c est convenu! Ah! ah! ah! quelle faveur, Très Saint-Père, quelle faveur! Mais qu ai-je donc, etc. (Ascanio, sur un geste de Cellini, entre par la coulisse de droite dans la fonderie d ou sort son maître.) Scène Huitième N° 23 - Récit et Air CELLINI (seul et pensif) Seul pour lutter, seul avec mon courage. Et Rome me regarde! Rome!... Allons, vents inhumains, Soufflez, gonflez les flots et vogue dans l orage La nef de nos sombres destins! Quelle vie, quelle vie! Air Sur les monts les plus sauvages Que ne suis-je un simple pasteur, Conduisant aux pâturages Tous les jours un troupeau voyageur! Libre, seul et tranquille, Sans labeur fatiguant, Errant loin des bruits de la ville, Je chanterais gaîment; Puis le soir dans ma chaumière, Seul, ayant pour lit la terre, Comme aux bras d une mère Je dormirais content. Sur les monts les plus sauvages, etc. Scène Neuvième N° 24 - Chœur LE CHOEUR (en dehors) Bienheureux les matelots, Ces enfants des flots! CELLINI (avec humeur) Allons! encor cette chanson plaintive! LE CHOEUR (en dehors) Sur la mer joyeusement Ils suivent le vent. Oh! CELLINI Toujours avec cet air quelque malheur arrive. LE CHOEUR (en dehors) Et quand sombre leur vaisseau, L onde est leur tombeau. Oh! ASCANIO (entrant, à part) Funeste présage que ce chant-là! CELLINI Jamais mon ouvrage ne réussira S ils perdent courage. (s adressant avec énergie à ses ouvriers) C est d un fleuve de métaux Que nous sommes matelots! Régner sur l onde est un jeu, Quand on règne sur le feu! ASCANIO, CELLINI Allons, enfants, du cœur! Redoublez tous de vigueur! Allons, du cœur! Mélangez le fer et l étain; Au succès nous boirons demain! LE CHOEUR (plus tristement encore) Bienheureux les matelots, Ces enfants des flots! N° 25 - Récitatif CELLINI (prenant un tablier pour le ceindre autour de lui) Vite, au travail, sans plus attendre! (On frappe à la porte.) Mais qui fait tout ce fracas? ASCANIO (qui a ouvert, revenant précipitamment) Fieramosca! Scène Dixième (Fieramosca, et deux spadassins) CELLINI Que veut ce sot avec ses fiers-à-bras? FIERAMOSCA (avec gravité) Cellini, je viens de ce pas En enfer te faire descendre! CELLINI En enfer me faire descendre? Explique-toi, mauvais bouffon. FIERAMOSCA Eh bien! je viens te demander raison De tes injures... CELLINI Toi, poltron? Tu ne ris pas? FIERAMOSCA C est tout de bon. ASCANIO C est tout de bon? FIERAMOSCA Et sur-le-champ... ASCANIO Sans prendre haleine! FIERAMOSCA Sur l heure... CELLINI Mais... FIERAMOSCA Allons! CELLINI Je ne puis sortir. FIERAMOSCA Tu recules? CELLINI (bondissant d indignation) Dégaine! Nous nous battrons ici. FIERAMOSCA Non, non! si je te tue en ta maison Je suis un assassin. C est la loi, je le sais. CELLINI Ah! maudit baladin! Je vois ce que tu veux. M empêcher de rien faire; Mais, grâce à Dieu, j espère Te donner promptement Une bonne leçon. Ton rendez-vous? FIERAMOSCA Ici, tout près, derrière Le cloître Saint-André nous t attendons. CELLINI C est bon. Va devant, je te suis. FIERAMOSCA (jetant à Cellini des regards farouches) Bien, qu il ose se rendre, En enfer je le fais descendre! (Il sort avec les deux spadassins par la porte de gauche) Scène Onzième CELLINI Quel contretemps que ce duel-là! Vite, allons, ma rapière! (Ascanio va la chercher. La porte s ouvre, et Teresa entre en habit de voyage) Scène Douzième CELLINI (sans se retourner) Encor, Fieramosca! (apercevant Teresa et courant à sa rencontre) Teresa! Dieu du ciel! Teresa! TERESA Mon père nous trahit! CELLINI Comment, que dis-tu là? TERESA Mon père nous trahit! Tu sais que le Saint-Père, Malgré tant de colère A décidé que Toscan ni Romain Jusqu à ce soir n aurait droit à ma main. CELLINI Eh bien! TERESA Bravant cet ordre saint, mon père A voulu m éloigner de la ville; mais moi Je me suis échappée Et je reviens à toi! Scène Treizième ASCANIO (rentrant, une épée à la main, sans voir Teresa) Maître, voici ton épée. TERESA Une épée! où vas-tu? CELLINI Je reviens à l instant. TERESA Non! non! tu vas certainement Te battre!... reste ici! CELLINI Je ne le puis, vraiment! TERESA Je m attache à tes pas. CELLINI Ne crains rien, chère enfant; Je m en vais envoyer au diable Ton futur époux, ton amant! TERESA Fieramosca! CELLINI Le misérable! Il vient de m insulter! TERESA C est quelque guet-apens! J ai de sombres pressentiments! CELLINI Rassure-toi! TERESA Grand Dieu! CELLINI Ce n est pas un Hercule; Ce n est qu un vil bouffon Dont la bravade est ridicule, Et que je vais punir d une rude façon. (Il sort avec Ascanio.) Scène Quatorzième TERESA Eh quoi! Ma prière est vaine! Me laisser seule ici! Pour se battre il est parti. CHOEUR D OUVRIERS FONDEURS (derrière la scène) Cellini! Cellini! TERESA Qu entends-je? fuir?... rester?... LE CHOEUR Non! non! plus de travaux! Laissons les fourneaux! TERESA Ah! s il ne revient pas Ma perte est certaine. Scène Quinzième N° 26 - Chœur FRANCESCO, BERNARDINO, CHOEUR Peuple ouvrier, Que l atelier Vite se ferme. A bas les marteaux, Pelles et ciseaux! Laissons nos fourneaux! Quittons les travaux! Et que le repos Enfin mette un terme A tous nos maux! TERESA Dieu! quelle colère? Que voulez-vous faire? LE CHOEUR Sortir tous d ici! TERESA Eh! mais... mais Cellini... LE CHOEUR Le maître sans gêne Nous laisse la peine; Ah! pour l enrichir C est par trop souffrir! TERESA De la patience Cellini s avance, Il va revenir. Ah! que devenir? LE CHOEUR Nous voulons sortir! A nous sur la terre Labeur et misère, A nous le malheur, Au maître l honneur! TERESA Allons, du courage, Reprenez l ouvrage! Vous serez, je gage, Bien payés demain. LE CHOEUR Demain? Nous sommes sans pain, Nos enfants ont faim! TERESA Ô sainte Madone, Hélas! n abandonne Jamais mon époux! Je m attache à vous! LE CHOEUR Allons-nous-en tous! Non, non, laissez-nous, C est pure folie! TERESA Je vous en supplie! Scène Seizième N° 27 - Scène et Chœur TERESA (apercevant Fieramosca) Ah! ciel! il est mort! (Elle tombe évanouie. Francesco et Bernardino s approchent de Teresa et la soutiennent.) LE CHOEUR D où vient ce transport? Qu est-ce donc? Secourons-la. Elle perd la vie! FIERAMOSCA (étonné) Ah! que signifie cette clameur-là? TERESA Ô bons ouvriers! Vengez votre maître Tué par ce misérable! Aux bras meurtriers! LE CHOEUR Quoi? L infâme traître A tué le maître! TERESA C est un spadassin! LE CHOEUR A mort! l assassin! FIERAMOSCA (se débattant) Ah! point de colère! Je suis votre ami ! (Les ouvriers, en le secouant, font tomber de l or de ses poches) LE CHOEUR Quoi! tant d or sur lui! Qu en voulait-il faire? FIERAMOSCA Je venais en frère vous faire Gagner un meilleur salaire Hélas! que celui qu on vous donne ici. LE CHOEUR Au diable! merci! De ton vil salaire Que pouvons-nous faire Pour l égorgeur Du grand ciseleur? Vite, à la chaudière! FIERAMOSCA Ah! je suis votre ami! Scène Dix-septième CELLINI Holà! qu est ceci? LE CHOEUR, TERESA (sautant au cou de Cellini) Grand Dieu! Cellini! CELLINI Eh! oui, me voici! TERESA Quel bonheur! la vie Ne t est pas ravie, Ô mon cher époux! LE CHOEUR Nous l avons cru tous. CELLINI Ah! rassurez-vous (à Fieramosca, qui souffle comme un bœuf) Chez moi, téméraire, Que viens-tu donc faire, Quand le fer en main Je t attends en vain? FIERAMOSCA (tremblant) Je venais sans mystère... Je viens... LE CHOEUR (montrant l argent qu ils ont ramassé) ... pour tâcher de nous embaucher. CELLINI Comment! soudoyer Tout mon atelier? Je sens ma colère! FIERAMOSCA (toujours plus tremblant) Je viens... cher confrère... Je viens... CELLINI Tu viens travailler. LE CHOEUR Comment? comment travailler? CELLINI Oui, oui, travailler... Couvrez-moi ce drôle D un noir tablier, Et dans l atelier Qu il fasse son rôle, Ou par Dieu!... LE CHOEUR Bien! c est drôle! TERESA, ASCANIO, CHOEUR Allons, fier Vulcain, Accepte ce rôle, Ou tu prends un bain Dans un flot d airain. FIERAMOSCA (pendant qu on l habille) J aime mieux ce rôle Que de prendre un bain Dans un flot d airain. N° 28 - Chœur FRANCESCO, BERNARDINO A l atelier! Ensemble LE CHOEUR Peuple ouvrier, Rentre à pas leste, Et que les marteaux, Pelles et ciseaux Achèvent le reste De nos travaux. Rentrons, et que les fourneaux Sortant du repos Achèvent le reste De nos travaux. Retournons aux fourneaux, Reprenons nos travaux. TERESA, ASCANIO Allons! aux fourneaux! Et que les marteaux, Pelles et ciseaux Sortant du repos Achèvent le reste De vos travaux. CELLINI, TERESA, ASCANIO Rentrez tous aux fourneaux! Achevez vos travaux! La bonne tournure! Plaisante figure! FIERAMOSCA J aime mieux ce rôle Que de prendre un bain Dans un flot d airain. Entrons aux fourneaux. ASCANIO Oh! l excellent tour! (Cellini et le chœur sortent.) Scène Dix-huitième N° 29 - Récit TERESA Ah! le calme renaît dans mon âme inquiète, Mais le ciel est encor bien noir. ASCANIO Du courage! avant la tempête Au port nous entrerons ce soir. (Il entre dans la fonderie.) Scène Dix-neuvième N° 30 - Scène (Entrée du Pape et sa suite) BALDUCCI (stupéfait) Teresa, ici! Fille rebelle! LE PAPE Arrêtez, Balducci! TERESA (aux genoux du Pape) Ô pardon, Très Saint-Père! LE PAPE Relevez-vous, et dites-moi, Qui vous amène ici, ma chère? BALDUCCI En vérité... LE PAPE Tenez-vous coi, Mon Balducci, pour Dieu, silence! TERESA Mon père, usant de sa puissance, A voulu m éloigner de Rome sur-le-champ. Mais comptant sur votre indulgence, J ai voulu, pour ce soir, rejoindre mon amant. LE PAPE C est fort mal fait, ma chère enfant. Il faut obéir à son père, (regardant Balducci, et d un ton sévère) Quand même il manque à son devoir! Ah! ça, ne pourrons-nous le voir, ce Cellini? TERESA Le voici, Très Saint-Père. (Cellini entre vivement, puis salue le Pape.) LE PAPE Eh bien! démon, as-tu fini? CELLINI Non, pas encore; mais, Dieu merci, Tout va très bien; sous la chaudière Le feu redouble, et la matière N attend plus que sa sainteté Pour descendre avec majesté Dans les entrailles de la terre. BALDUCCI Le fanfaron! LE PAPE Fausse gaîté! Avec son sang-froid affecté Le drôle en ce moment m outrage; Mais patience!... Allons, commence. Scène Vingtième N° 31 - Final (Le rideau se lève et laisse voir l intérieur du Colisée où est établie la fonderie. Au fond, le cirque est garni de spectateurs; à droite, le fourneau tout en feu et une échelle conduisant à la chaudière; au milieu, la rigole destinée à recevoir le métal en fusion. Il fait nuit, l atelier est éclairé par des torches. A gauche, un siège d honneur où le Pape prend place, entouré de sa suite) FIERAMOSCA (en fondeur, accourant tout joyeux) Du métal! du métal! Il leur faut du métal, Ou bien nous suspendons l ouvrage. CELLINI Que dis-tu, fondeur infernal? FIERAMOSCA Du métal! Ou nous suspendons l ouvrage! CELLINI Je vais voir... Contretemps fatal! (Il se dirige vers la fournaise.) BALDUCCI (reconnaissant Fieramosca) Fieramosca! quel équipage! FIERAMOSCA (embarrassé) Oh! je conviens... BALDUCCI Quel noir visage! Vraiment, je ne vous comprends pas. FIERAMOSCA Entre artistes ne doit-on pas S entr aider? CELLINI (revenant l air soucieux, à Fieramosca) A l ouvrage! (Fieramosca, sur un geste impérieux de Cellini, retourne à la fournaise et Cellini le suit presque aussitôt.) Ensemble TERESA, ASCANIO Quelle pâleur sur son visage! Ô Dieu! ne l abandonne pas! BALDUCCI, LE PAPE Quelle pâleur sur son visage! Je le crois dans un mauvais pas! CELLINI (revenant, l air brusque et agité) Pardonnez, il faut l œil du maître... BALDUCCI (ironique) Quelle belle œuvre enfin va naître! CELLINI De métal je viens de repaître La fournaise, elle est toute en feux; A présent tout va pour le mieux. (Les ouvriers travaillent avec un redoublement d activité.) FRANCESCO, BERNARDINO (accourent effrayés) Maître, maître! La fonte se fige! TOUS La fonte se fige! FRANCESCO, BERNARDINO Du métal! CELLINI Tout est-il fondu? FRANCESCO, BERNARDINO Tout! il en faut d autre, vous dis-je! CELLINI Je n en ai plus. Je suis perdu! LE PAPE Le fanfaron est confondu! BALDUCCI Le spadassin sera pendu! TOUS Il n en a plus. Il est perdu! BALDUCCI Vous, un homme, quoi! de génie, Un rien vous met à l agonie? Quelles terreurs? Votre science est infinie. Faut-il donc vous désespérer? LES OUVRIERS Du métal! du métal! FRANCESCO Eh bien, maître, le temps se presse; Le feu s éteint. CELLINI (balbutiant) Attends!... que faut-il... je suis... Que faut-il que je fasse? LES OUVRIERS (redoublant de cris) Du métal! du métal! du métal! CELLINI (exaspéré, levant les mains au ciel) Seigneur, use de ton pouvoir! Dans ta main est le seul remède. Si tu ne veux pas que je cède Au désespoir, Aide-moi donc, puisque je m aide!... BALDUCCI Prier! le moment est mauvais. Assurez d abord le succès; Vous rendrez grâce au ciel après. CELLINI Je suis sauvé! Dieu m est en aide!... (à Francesco et à Bernardino) Prenez tout ce que je possède! Courez, ne laissez rien dans l atelier. FRANCESCO, BERNARDINO Quoi! tous vos chefs-d œuvre? CELLINI Courez, courez, n importe!... Or, argent, cuivre, bronze, emporte, Et jette tout dans le brasier. (Francesco et Bernardino sortent en courant. Bientôt on les voit reparaître au fond du théâtre suivis d Ascanio et d autres ouvriers, chargés de divers ouvrages de ciselure en or et en bronze qu ils lancent dans la fournaise. Ascanio à l exemple de son maître saisit un candélabre, et Cellini s emparant de tous les ouvrages de ciselure qui sont à sa portée, va les jeter dans la fournaise) Ensemble TERESA Hélas! la force m abandonne! Va-t-il malgré tout réussir? LE PAPE (debout sur l estrade) Vraiment! son audace m étonne; Va-t-il malgré tout réussir? BALDUCCI Ma foi! la raison l abandonne! Le fou se ruine à plaisir. (On entend une détonation ; c est le couvercle de la chaudière qui saute) TERESA, LE PAPE, BALDUCCI Ah! quel fracas! que croire? (Les femmes et les enfants des ouvriers entrent en scène) CELLINI (se précipitant désespéré sur l avant-scène) Je suis perdu! LES OUVRIERS (au fond du théâtre) Vivat, vivat! maître vivat! (A ce cri, tous les regards se tournent vers la chaudière d où s élance un torrent de métal liquide qui se récipite dans la terre) LES OUVRIERS, LES SPECTATEURS Victoire! FIERAMOSCA (noir de fumée, perçant la foule pour arriver jusqu à Cellini) Allons, allons, faites-moi place, Ce cher ami, que je l embrasse. BALDUCCI (menant Teresa à Cellini) Il réussit! j en étais sûr! Ma fille, embrasse ton futur! CELLINI (à part) C est à qui sera le plus lâche, maintenant... (haut) Saint-Père, j ai terminé ma tâche. LE PAPE (descendu de son siège) Puisque Dieu lui-même a béni Et tes travaux et ta hardiesse, J acquitte à l instant ma promesse, Et je te pardonne, ô Cellini! CELLINI Ô ma Teresa! TERESA Ô Cellini! (Le Pape sort avec sa suite.) FRANCESCO, BERNARDINO, LE CHOEUR Viva! viva! TERESA, ASCANIO, FIERAMOSCA Gloire immortelle! LES OUVRIERS L or comme un soleil luit, Le rubis étincelle Comme un feu dans la nuit. TERESA, ASCANIO, FIERAMOSCA FRANCESCO, BERNARDINO, BALDUCCI Gloire à lui! TOUS Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne fleurissent qu au front des reines, Des rois, des papes, des grands-ducs, et des empereurs. Honneur aux maîtres ciseleurs! Tra la la la, Honneur aux maîtres ciseleurs! Quatrième tableau (Le théâtre représente une partie de l atelier de fonderie établi dans le Colisée. Au fond, un rideau cachant la fournaise et les ouvriers fondeurs. Deux portes, à droite et à gauche. Différents ouvrages de Cellini, en or, en argent, en bronze et en étain, répandus ça et là à terre, ou posés sur des dressoirs. L horloge sonne quatre heures) N° 21 - Entracte Scène Septième (Ascanio entre en gambadant par la coulisse de gauche) N° 22 - Air ASCANIO (seul) Tra, la, la, la, la, la... Mais qu ai-je donc? Tout me pèse et m ennuie! Mon âme est triste. Mais bah! tant pis! Quand vient la mélancolie, Que d ennui j ai le cœur pris, Tra, la, la, la... moi je chante et je ris, Moi soudain je m étourdis. C est donc ce soir que l on baptise, Dans le feu notre enfant d airain, Le Colisée est son église, Le Très Saint-Père est le parrain, Et les témoins tout le peuple romain! Tra, la, la, la, la, la... Mais qu ai-je donc, etc. (en remémorant la scène antérieure) Ah! ah! ah! ah! la bonne scène! － A moi, mes gardes! qu on l entraîne. － Chut, Très Saint-Père... ou ce marteau... － Tout beau! tout beau! je capitule; Dès qu on avance, je recule. － Alors, primo, je veux ma grâce. － Concedo. － Et secondo je veux Teresa. － Concedo. Tout à coup le Saint-Père s arrête, De mon maître il lui faut la tête, Rien que cela? Ah! ah! ah! ah! － Si Persée enfin n est fondu, Dès ce soir tu seras pendu. Pendu! pendu! c est convenu! Ah! ah! ah! quelle faveur, Très Saint-Père, quelle faveur! Mais qu ai-je donc, etc. (Ascanio, sur un geste de Cellini, entre par la coulisse de droite dans la fonderie d ou sort son maître.) Scène Huitième N° 23 - Récit et Air CELLINI (seul et pensif) Seul pour lutter, seul avec mon courage. Et Rome me regarde! Rome!... Allons, vents inhumains, Soufflez, gonflez les flots et vogue dans l orage La nef de nos sombres destins! Quelle vie, quelle vie! Air Sur les monts les plus sauvages Que ne suis-je un simple pasteur, Conduisant aux pâturages Tous les jours un troupeau voyageur! Libre, seul et tranquille, Sans labeur fatiguant, Errant loin des bruits de la ville, Je chanterais gaîment; Puis le soir dans ma chaumière, Seul, ayant pour lit la terre, Comme aux bras d une mère Je dormirais content. Sur les monts les plus sauvages, etc. Scène Neuvième N° 24 - Chœur LE CHOEUR (en dehors) Bienheureux les matelots, Ces enfants des flots! CELLINI (avec humeur) Allons! encor cette chanson plaintive! LE CHOEUR (en dehors) Sur la mer joyeusement Ils suivent le vent. Oh! CELLINI Toujours avec cet air quelque malheur arrive. LE CHOEUR (en dehors) Et quand sombre leur vaisseau, L onde est leur tombeau. Oh! ASCANIO (entrant, à part) Funeste présage que ce chant-là! CELLINI Jamais mon ouvrage ne réussira S ils perdent courage. (s adressant avec énergie à ses ouvriers) C est d un fleuve de métaux Que nous sommes matelots! Régner sur l onde est un jeu, Quand on règne sur le feu! ASCANIO, CELLINI Allons, enfants, du cœur! Redoublez tous de vigueur! Allons, du cœur! Mélangez le fer et l étain; Au succès nous boirons demain! LE CHOEUR (plus tristement encore) Bienheureux les matelots, Ces enfants des flots! N° 25 - Récitatif CELLINI (prenant un tablier pour le ceindre autour de lui) Vite, au travail, sans plus attendre! (On frappe à la porte.) Mais qui fait tout ce fracas? ASCANIO (qui a ouvert, revenant précipitamment) Fieramosca! Scène Dixième (Fieramosca, et deux spadassins) CELLINI Que veut ce sot avec ses fiers-à-bras? FIERAMOSCA (avec gravité) Cellini, je viens de ce pas En enfer te faire descendre! CELLINI En enfer me faire descendre? Explique-toi, mauvais bouffon. FIERAMOSCA Eh bien! je viens te demander raison De tes injures... CELLINI Toi, poltron? Tu ne ris pas? FIERAMOSCA C est tout de bon. ASCANIO C est tout de bon? FIERAMOSCA Et sur-le-champ... ASCANIO Sans prendre haleine! FIERAMOSCA Sur l heure... CELLINI Mais... FIERAMOSCA Allons! CELLINI Je ne puis sortir. FIERAMOSCA Tu recules? CELLINI (bondissant d indignation) Dégaine! Nous nous battrons ici. FIERAMOSCA Non, non! si je te tue en ta maison Je suis un assassin. C est la loi, je le sais. CELLINI Ah! maudit baladin! Je vois ce que tu veux. M empêcher de rien faire; Mais, grâce à Dieu, j espère Te donner promptement Une bonne leçon. Ton rendez-vous? FIERAMOSCA Ici, tout près, derrière Le cloître Saint-André nous t attendons. CELLINI C est bon. Va devant, je te suis. FIERAMOSCA (jetant à Cellini des regards farouches) Bien, qu il ose se rendre, En enfer je le fais descendre! (Il sort avec les deux spadassins par la porte de gauche) Scène Onzième CELLINI Quel contretemps que ce duel-là! Vite, allons, ma rapière! (Ascanio va la chercher. La porte s ouvre, et Teresa entre en habit de voyage) Scène Douzième CELLINI (sans se retourner) Encor, Fieramosca! (apercevant Teresa et courant à sa rencontre) Teresa! Dieu du ciel! Teresa! TERESA Mon père nous trahit! CELLINI Comment, que dis-tu là? TERESA Mon père nous trahit! Tu sais que le Saint-Père, Malgré tant de colère A décidé que Toscan ni Romain Jusqu à ce soir n aurait droit à ma main. CELLINI Eh bien! TERESA Bravant cet ordre saint, mon père A voulu m éloigner de la ville; mais moi Je me suis échappée Et je reviens à toi! Scène Treizième ASCANIO (rentrant, une épée à la main, sans voir Teresa) Maître, voici ton épée. TERESA Une épée! où vas-tu? CELLINI Je reviens à l instant. TERESA Non! non! tu vas certainement Te battre!... reste ici! CELLINI Je ne le puis, vraiment! TERESA Je m attache à tes pas. CELLINI Ne crains rien, chère enfant; Je m en vais envoyer au diable Ton futur époux, ton amant! TERESA Fieramosca! CELLINI Le misérable! Il vient de m insulter! TERESA C est quelque guet-apens! J ai de sombres pressentiments! CELLINI Rassure-toi! TERESA Grand Dieu! CELLINI Ce n est pas un Hercule; Ce n est qu un vil bouffon Dont la bravade est ridicule, Et que je vais punir d une rude façon. (Il sort avec Ascanio.) Scène Quatorzième TERESA Eh quoi! Ma prière est vaine! Me laisser seule ici! Pour se battre il est parti. CHOEUR D OUVRIERS FONDEURS (derrière la scène) Cellini! Cellini! TERESA Qu entends-je? fuir?... rester?... LE CHOEUR Non! non! plus de travaux! Laissons les fourneaux! TERESA Ah! s il ne revient pas Ma perte est certaine. Scène Quinzième N° 26 - Chœur FRANCESCO, BERNARDINO, CHOEUR Peuple ouvrier, Que l atelier Vite se ferme. A bas les marteaux, Pelles et ciseaux! Laissons nos fourneaux! Quittons les travaux! Et que le repos Enfin mette un terme A tous nos maux! TERESA Dieu! quelle colère? Que voulez-vous faire? LE CHOEUR Sortir tous d ici! TERESA Eh! mais... mais Cellini... LE CHOEUR Le maître sans gêne Nous laisse la peine; Ah! pour l enrichir C est par trop souffrir! TERESA De la patience Cellini s avance, Il va revenir. Ah! que devenir? LE CHOEUR Nous voulons sortir! A nous sur la terre Labeur et misère, A nous le malheur, Au maître l honneur! TERESA Allons, du courage, Reprenez l ouvrage! Vous serez, je gage, Bien payés demain. LE CHOEUR Demain? Nous sommes sans pain, Nos enfants ont faim! TERESA Ô sainte Madone, Hélas! n abandonne Jamais mon époux! Je m attache à vous! LE CHOEUR Allons-nous-en tous! Non, non, laissez-nous, C est pure folie! TERESA Je vous en supplie! Scène Seizième N° 27 - Scène et Chœur TERESA (apercevant Fieramosca) Ah! ciel! il est mort! (Elle tombe évanouie. Francesco et Bernardino s approchent de Teresa et la soutiennent.) LE CHOEUR D où vient ce transport? Qu est-ce donc? Secourons-la. Elle perd la vie! FIERAMOSCA (étonné) Ah! que signifie cette clameur-là? TERESA Ô bons ouvriers! Vengez votre maître Tué par ce misérable! Aux bras meurtriers! LE CHOEUR Quoi? L infâme traître A tué le maître! TERESA C est un spadassin! LE CHOEUR A mort! l assassin! FIERAMOSCA (se débattant) Ah! point de colère! Je suis votre ami ! (Les ouvriers, en le secouant, font tomber de l or de ses poches) LE CHOEUR Quoi! tant d or sur lui! Qu en voulait-il faire? FIERAMOSCA Je venais en frère vous faire Gagner un meilleur salaire Hélas! que celui qu on vous donne ici. LE CHOEUR Au diable! merci! De ton vil salaire Que pouvons-nous faire Pour l égorgeur Du grand ciseleur? Vite, à la chaudière! FIERAMOSCA Ah! je suis votre ami! Scène Dix-septième CELLINI Holà! qu est ceci? LE CHOEUR, TERESA (sautant au cou de Cellini) Grand Dieu! Cellini! CELLINI Eh! oui, me voici! TERESA Quel bonheur! la vie Ne t est pas ravie, Ô mon cher époux! LE CHOEUR Nous l avons cru tous. CELLINI Ah! rassurez-vous (à Fieramosca, qui souffle comme un bœuf) Chez moi, téméraire, Que viens-tu donc faire, Quand le fer en main Je t attends en vain? FIERAMOSCA (tremblant) Je venais sans mystère... Je viens... LE CHOEUR (montrant l argent qu ils ont ramassé) ... pour tâcher de nous embaucher. CELLINI Comment! soudoyer Tout mon atelier? Je sens ma colère! FIERAMOSCA (toujours plus tremblant) Je viens... cher confrère... Je viens... CELLINI Tu viens travailler. LE CHOEUR Comment? comment travailler? CELLINI Oui, oui, travailler... Couvrez-moi ce drôle D un noir tablier, Et dans l atelier Qu il fasse son rôle, Ou par Dieu!... LE CHOEUR Bien! c est drôle! TERESA, ASCANIO, CHOEUR Allons, fier Vulcain, Accepte ce rôle, Ou tu prends un bain Dans un flot d airain. FIERAMOSCA (pendant qu on l habille) J aime mieux ce rôle Que de prendre un bain Dans un flot d airain. N° 28 - Chœur FRANCESCO, BERNARDINO A l atelier! Ensemble LE CHOEUR Peuple ouvrier, Rentre à pas leste, Et que les marteaux, Pelles et ciseaux Achèvent le reste De nos travaux. Rentrons, et que les fourneaux Sortant du repos Achèvent le reste De nos travaux. Retournons aux fourneaux, Reprenons nos travaux. TERESA, ASCANIO Allons! aux fourneaux! Et que les marteaux, Pelles et ciseaux Sortant du repos Achèvent le reste De vos travaux. CELLINI, TERESA, ASCANIO Rentrez tous aux fourneaux! Achevez vos travaux! La bonne tournure! Plaisante figure! FIERAMOSCA J aime mieux ce rôle Que de prendre un bain Dans un flot d airain. Entrons aux fourneaux. ASCANIO Oh! l excellent tour! (Cellini et le chœur sortent.) Scène Dix-huitième N° 29 - Récit TERESA Ah! le calme renaît dans mon âme inquiète, Mais le ciel est encor bien noir. ASCANIO Du courage! avant la tempête Au port nous entrerons ce soir. (Il entre dans la fonderie.) Scène Dix-neuvième N° 30 - Scène (Entrée du Pape et sa suite) BALDUCCI (stupéfait) Teresa, ici! Fille rebelle! LE PAPE Arrêtez, Balducci! TERESA (aux genoux du Pape) Ô pardon, Très Saint-Père! LE PAPE Relevez-vous, et dites-moi, Qui vous amène ici, ma chère? BALDUCCI En vérité... LE PAPE Tenez-vous coi, Mon Balducci, pour Dieu, silence! TERESA Mon père, usant de sa puissance, A voulu m éloigner de Rome sur-le-champ. Mais comptant sur votre indulgence, J ai voulu, pour ce soir, rejoindre mon amant. LE PAPE C est fort mal fait, ma chère enfant. Il faut obéir à son père, (regardant Balducci, et d un ton sévère) Quand même il manque à son devoir! Ah! ça, ne pourrons-nous le voir, ce Cellini? TERESA Le voici, Très Saint-Père. (Cellini entre vivement, puis salue le Pape.) LE PAPE Eh bien! démon, as-tu fini? CELLINI Non, pas encore; mais, Dieu merci, Tout va très bien; sous la chaudière Le feu redouble, et la matière N attend plus que sa sainteté Pour descendre avec majesté Dans les entrailles de la terre. BALDUCCI Le fanfaron! LE PAPE Fausse gaîté! Avec son sang-froid affecté Le drôle en ce moment m outrage; Mais patience!... Allons, commence. Scène Vingtième N° 31 - Final (Le rideau se lève et laisse voir l intérieur du Colisée où est établie la fonderie. Au fond, le cirque est garni de spectateurs; à droite, le fourneau tout en feu et une échelle conduisant à la chaudière; au milieu, la rigole destinée à recevoir le métal en fusion. Il fait nuit, l atelier est éclairé par des torches. A gauche, un siège d honneur où le Pape prend place, entouré de sa suite) FIERAMOSCA (en fondeur, accourant tout joyeux) Du métal! du métal! Il leur faut du métal, Ou bien nous suspendons l ouvrage. CELLINI Que dis-tu, fondeur infernal? FIERAMOSCA Du métal! Ou nous suspendons l ouvrage! CELLINI Je vais voir... Contretemps fatal! (Il se dirige vers la fournaise.) BALDUCCI (reconnaissant Fieramosca) Fieramosca! quel équipage! FIERAMOSCA (embarrassé) Oh! je conviens... BALDUCCI Quel noir visage! Vraiment, je ne vous comprends pas. FIERAMOSCA Entre artistes ne doit-on pas S entr aider? CELLINI (revenant l air soucieux, à Fieramosca) A l ouvrage! (Fieramosca, sur un geste impérieux de Cellini, retourne à la fournaise et Cellini le suit presque aussitôt.) Ensemble TERESA, ASCANIO Quelle pâleur sur son visage! Ô Dieu! ne l abandonne pas! BALDUCCI, LE PAPE Quelle pâleur sur son visage! Je le crois dans un mauvais pas! CELLINI (revenant, l air brusque et agité) Pardonnez, il faut l œil du maître... BALDUCCI (ironique) Quelle belle œuvre enfin va naître! CELLINI De métal je viens de repaître La fournaise, elle est toute en feux; A présent tout va pour le mieux. (Les ouvriers travaillent avec un redoublement d activité.) FRANCESCO, BERNARDINO (accourent effrayés) Maître, maître! La fonte se fige! TOUS La fonte se fige! FRANCESCO, BERNARDINO Du métal! CELLINI Tout est-il fondu? FRANCESCO, BERNARDINO Tout! il en faut d autre, vous dis-je! CELLINI Je n en ai plus. Je suis perdu! LE PAPE Le fanfaron est confondu! BALDUCCI Le spadassin sera pendu! TOUS Il n en a plus. Il est perdu! BALDUCCI Vous, un homme, quoi! de génie, Un rien vous met à l agonie? Quelles terreurs? Votre science est infinie. Faut-il donc vous désespérer? LES OUVRIERS Du métal! du métal! FRANCESCO Eh bien, maître, le temps se presse; Le feu s éteint. CELLINI (balbutiant) Attends!... que faut-il... je suis... Que faut-il que je fasse? LES OUVRIERS (redoublant de cris) Du métal! du métal! du métal! CELLINI (exaspéré, levant les mains au ciel) Seigneur, use de ton pouvoir! Dans ta main est le seul remède. Si tu ne veux pas que je cède Au désespoir, Aide-moi donc, puisque je m aide!... BALDUCCI Prier! le moment est mauvais. Assurez d abord le succès; Vous rendrez grâce au ciel après. CELLINI Je suis sauvé! Dieu m est en aide!... (à Francesco et à Bernardino) Prenez tout ce que je possède! Courez, ne laissez rien dans l atelier. FRANCESCO, BERNARDINO Quoi! tous vos chefs-d œuvre? CELLINI Courez, courez, n importe!... Or, argent, cuivre, bronze, emporte, Et jette tout dans le brasier. (Francesco et Bernardino sortent en courant. Bientôt on les voit reparaître au fond du théâtre suivis d Ascanio et d autres ouvriers, chargés de divers ouvrages de ciselure en or et en bronze qu ils lancent dans la fournaise. Ascanio à l exemple de son maître saisit un candélabre, et Cellini s emparant de tous les ouvrages de ciselure qui sont à sa portée, va les jeter dans la fournaise) Ensemble TERESA Hélas! la force m abandonne! Va-t-il malgré tout réussir? LE PAPE (debout sur l estrade) Vraiment! son audace m étonne; Va-t-il malgré tout réussir? BALDUCCI Ma foi! la raison l abandonne! Le fou se ruine à plaisir. (On entend une détonation ; c est le couvercle de la chaudière qui saute) TERESA, LE PAPE, BALDUCCI Ah! quel fracas! que croire? (Les femmes et les enfants des ouvriers entrent en scène) CELLINI (se précipitant désespéré sur l avant-scène) Je suis perdu! LES OUVRIERS (au fond du théâtre) Vivat, vivat! maître vivat! (A ce cri, tous les regards se tournent vers la chaudière d où s élance un torrent de métal liquide qui se récipite dans la terre) LES OUVRIERS, LES SPECTATEURS Victoire! FIERAMOSCA (noir de fumée, perçant la foule pour arriver jusqu à Cellini) Allons, allons, faites-moi place, Ce cher ami, que je l embrasse. BALDUCCI (menant Teresa à Cellini) Il réussit! j en étais sûr! Ma fille, embrasse ton futur! CELLINI (à part) C est à qui sera le plus lâche, maintenant... (haut) Saint-Père, j ai terminé ma tâche. LE PAPE (descendu de son siège) Puisque Dieu lui-même a béni Et tes travaux et ta hardiesse, J acquitte à l instant ma promesse, Et je te pardonne, ô Cellini! CELLINI Ô ma Teresa! TERESA Ô Cellini! (Le Pape sort avec sa suite.) FRANCESCO, BERNARDINO, LE CHOEUR Viva! viva! TERESA, ASCANIO, FIERAMOSCA Gloire immortelle! LES OUVRIERS L or comme un soleil luit, Le rubis étincelle Comme un feu dans la nuit. TERESA, ASCANIO, FIERAMOSCA FRANCESCO, BERNARDINO, BALDUCCI Gloire à lui! TOUS Les métaux, ces fleurs souterraines Aux impérissables couleurs, Ne fleurissent qu au front des reines, Des rois, des papes, des grands-ducs, et des empereurs. Honneur aux maîtres ciseleurs! Tra la la la, Honneur aux maîtres ciseleurs! Berlioz,Hector/Benvenuto Cellini
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Subjects-Professional&Technical-Engineering-General Subjects-Sports-Miscellaneous-MotorSports? Tuning New Generation Engines for Power and Economy Haynes Pubns? A. Graham Bell? HaynesPubns? A.GrahamBell? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Engines-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Parts? Subjects-Professional&Technical-Engineering-Mechanical-Engines-General? Subjects-Professional&Technical-Engineering-General The Jensen Interceptor Mks I, Ii, III Iv, Sp and Ff (Foulis Motoring Book) Haynes Pubns? Mike Taylor? HaynesPubns? MikeTaylor? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General Range Rover Conversions G T Foulis & Co Ltd? Nick Dimbleby? GTFoulis&CoLtd? NickDimbleby? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? 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TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop Offenbach,Jacques/Orpheé aux Enfers/IV
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Holidays on Ice Back Bay Books? David Sedaris? BackBayBooks? DavidSedaris? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Literature&Fiction? Substores-なか見！検索? Subjects-Entertainment-Humor-Essays? Subjects-Literature&Fiction-General-Comic? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-ShortStories-UnitedStates? Subjects-Literature&Fiction-ShortStories-General? Subjects-Literature&Fiction-WorldLiterature-UnitedStates-Collections&Readers? 2008 Scott Catalogue United States And Countries of the World A-B United States, United Nations Countries Of The World A-B (Scott Standard Postage Stamp Catalogue Vol 1 Us and Countries a-B) Scott Pub Inc Co? James E. Kloetzel? ScottPubIncCo? JamesE.Kloetzel? ユーズドブック(洋書)-Home&Garden? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Stamps? Traditional Chikankari Embroidery Patterns of India (International Design Library) Stemmer House Pub? Pradumna Tana? Rosalba Tana? StemmerHousePub? PradumnaTana? RosalbaTana? Subjects-Arts&Photography-GraphicDesign-Design-Decorative? Subjects-Home&Garden-Crafts&Hobbies-Embroidery? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Needlework? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Tchaikovsky Symphonies Nos. 1, 2 and 3 in Full Score Dover Pubns? Peter Ilyitch Tchaikovshy? DoverPubns? PeterIlyitchTchaikovshy? ユーズドブック(洋書)-Entertainment? Subjects-Entertainment-Music-MusicalGenres-Classical-ChamberMusic? Subjects-Entertainment-Music-MusicalGenres-Classical-General? Subjects-Entertainment-Music-MusicalGenres-Classical-OrchestralSongbooks? Subjects-Entertainment-Music-MusicalGenres-Classical-Scores-Composers-Tchaikovsky? Subjects-Entertainment-Music-MusicalGenres-Classical-Scores-Forms&Genres-Symphonies? Subjects-Entertainment-Music-MusicalGenres-Classical-Scores-Instrumentation-Orchestra? Subjects-Entertainment-Music-Theory,Composition&Performance-Composition? Formats-SheetMusic&Scores-Composers-Tchaikovsky? Formats-SheetMusic&Scores-Forms&Genres-Symphonies? Buzz Said the Bee (Hello Reader, Level 1) Scholastic Trade? Wendy Cheyette Lewison? Hans Wilhelm? ScholasticTrade? WendyCheyetteLewison? HansWilhelm? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Ages4-8-EarlyReaderSeries-HelloReader-Level1? Subjects-Children sBooks-Ages4-8-EarlyReaderSeries-HelloReader-Level2? Subjects-Children sBooks-Ages4-8-EarlyReaderSeries-HelloReader-Level3? Subjects-Children sBooks-Literature? Snow (Sunburst Books) Sunburst? Uri Shulevitz? Sunburst? UriShulevitz? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Authors&Illustrators,A-Z-(S)-Shulevitz,Uri? Subjects-Children sBooks-People&Places-WhereWeLive-CityLife-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Fiction? Vengeance in Death (In Death) Berkley Pub Group (Mm)? J. D. Robb? Nora Roberts? BerkleyPubGroup(Mm)? J.D.Robb? NoraRoberts? ユーズドブック(洋書)-Mystery&Thrillers? ユーズドブック(洋書)-Romance? Formats-Paperback-Literature&Fiction? Formats-Paperback-Mystery&Thrillers? Substores-PaperbackStore-Mystery&Thrillers? Substores-PaperbackStore-Romance? Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Mystery-WomenSleuths? Subjects-Mystery&Thrillers-PoliceProcedurals? Subjects-Romance-Authors,A-Z-(R)-Roberts,Nora-General? Winning Ugly Mental Warfare in Tennis-Lessons from a Master Fireside? Brad Gilbert? Steve Jamison? Fireside? BradGilbert? SteveJamison? ユーズドブック(洋書)-Sports? Subjects-Sports-IndividualSports-Tennis-General? Subjects-Sports-General? Greek Style (Style Book Series) Thames & Hudson? Suzanne Slesin? Stafford Cliff? Daniel Rozensztroch? Thames&Hudson? SuzanneSlesin? StaffordCliff? DanielRozensztroch? Subjects-Home&Garden-InteriorDesign-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Twinkle's Big City Knits 30 Chunky-chic Designs Clarkson Potter? Wenlan Chia? ClarksonPotter? WenlanChia? ユーズドブック(洋書)-Home&Garden? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Knitting? Power, Sex, Suicide Mitochondria and the Meaning of Life Oxford Univ Pr (T)? Nick Lane? OxfordUnivPr(T)? NickLane? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-なか見！検索? Subjects-Professional&Technical-Medical-BasicSciences-Cytology? Subjects-Science-Evolution-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-BiologicalSciences-Anatomy? Echoes The Best of Pink Floyd (Pink Floyd) Wise Pubns? Pink Floyd? Chester Music? WisePubns? PinkFloyd? ChesterMusic? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Entertainment? Subjects-Biographies&Memoirs-Arts&Literature? Subjects-Entertainment-Music-Reference-General? Subjects-Entertainment-Music-History&Criticism? Subjects-Entertainment-Music-MusicalGenres-Rock? Subjects-Entertainment-Music-Theory,Composition&Performance-Techniques? Subjects-Entertainment-Music-Songbooks? Cognitive Assessment for Clinicians (Oxford Medical Publications) Oxford Univ Pr? John R. Hodges? OxfordUnivPr? JohnR.Hodges? Subjects-Health,Mind&Body-Psychology&Counseling-Cognitive? Subjects-Health,Mind&Body-Psychology&Counseling-Psychiatry? Subjects-Health,Mind&Body-MentalHealth-General? Subjects-Medicine-Specialties-Psychiatry-General? Subjects-Medicine-InternalMedicine-Neurology-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Neurology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Psychiatry-General? Subjects-Science-Medicine-Specialties-Psychiatry-General? Little Earthquakes (Washington Square Press) Washington Square Pr? Jennifer Weiner? WashingtonSquarePr? JenniferWeiner? ユーズドブック(洋書)-Literature&Fiction? Substores-バーゲンコーナー-Literature&Fiction? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-General-Literary? Paris Hotels More (Midsize) Taschen America Llc? Angelika Taschen? Vincent Knapp? TaschenAmericaLlc? AngelikaTaschen? VincentKnapp? ユーズドブック(洋書)-Travel? Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Travel-Europe-France-General? Subjects-Travel-Europe-France-Paris? Subjects-Travel-Reference&Tips-Food&Lodging-Hotels&Inns? Subjects-Travel-Reference&Tips-Guidebooks? Subjects-Travel-Reference&Tips-Pictorial? Naruto 8 Life-And-Death Battles (Naruto (Graphic Novels)) Viz Communications? Masashi Kishimoto? VizCommunications? MasashiKishimoto? ユーズドブック(洋書)-Teens? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Comics&GraphicNovels-Manga-General? Subjects-Comics&GraphicNovels-Manga-Shonen(Boys)? Subjects-Comics&GraphicNovels-Manga-ByPublisher-Viz? Subjects-Comics&GraphicNovels-Manga-BySeries-Naruto? Subjects-Comics&GraphicNovels-Manga-Fantasy? Subjects-Teens-Manga-General? Subjects-Teens-Manga-Shonen(Boys)? Subjects-Teens-Manga-ByPublisher-Viz? By Possession Bantam Books (Mm)? Madeline Hunter? BantamBooks(Mm)? MadelineHunter? ユーズドブック(洋書)-Romance? Formats-Paperback-Literature&Fiction? Formats-Paperback-Romance? Substores-PaperbackStore-Romance? Subjects-Romance-General? Subjects-Romance-Historical-England? Subjects-Romance-Historical-General? Asking the Right Questions A Guide to Critical Thinking Prentice Hall College Div? M. Neil Browne? Stuart M. Keeley? PrenticeHallCollegeDiv? M.NeilBrowne? StuartM.Keeley? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? Subjects-Literature&Fiction-History&Criticism? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-Reference-Words&Language-Rhetoric? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-LanguageInstruction? Subjects-Professional&Technical-Education-Pedagogy? Exercices De Style Gallimard? Raymond Queneau? Gallimard? RaymondQueneau? ユーズドブック(洋書)-Literature&Fiction? Substores-UnknownASINs-43? Subjects-Literature&Fiction-Authors,A-Z-(Q)-Queneau,Raymond? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-Poetry-Anthologies? Gucci (Penguin Readers, Level 2) Prentice Hall College Div? Paola Trimarco? PrenticeHallCollegeDiv? PaolaTrimarco? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? Substores-UnknownASINs-14? Subjects-Literature&Fiction-Classics? Subjects-Literature&Fiction-General-Classics? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? It's In His Kiss Avon Books (Mm)? Julia Quinn? AvonBooks(Mm)? JuliaQuinn? ユーズドブック(洋書)-Romance? Formats-Paperback-Literature&Fiction? Formats-Paperback-Romance? Substores-PaperbackStore-Romance? Subjects-Romance-Authors,A-Z-(Q)-Quinn,Julia? Subjects-Romance-General? Subjects-Romance-Historical-Regency? Subjects-Romance-Historical-General? Hubble 15 Years of Discovery Springer-Verlag? Bob Fosbury? Lars Lindberg? Martin Christensen? Martin Kornmesser? Springer-Verlag? BobFosbury? LarsLindberg? MartinChristensen? MartinKornmesser? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Skydog The Duane Allman Story Backbeat Books? Billy F. Gibbons? Randy Poe? BackbeatBooks? BillyF.Gibbons? RandyPoe? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Entertainment? Subjects-Biographies&Memoirs-Arts&Literature-Composers&Musicians-Rock? Subjects-Biographies&Memoirs-Arts&Literature-Entertainers? Subjects-Biographies&Memoirs-General? Subjects-Entertainment-Music-MusicalGenres-Rock? Subjects-Entertainment-Music-Biographies-Rock? The Doorbell Rang Mulberry Books? Pat Hutchins? MulberryBooks? PatHutchins? ユーズドブック(洋書)-Children sBooks? Substores-なか見！検索? Subjects-Children sBooks-Baby-3-BasicConcepts-Counting? Subjects-Children sBooks-Ages4-8-PictureBooks? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Literature-Humorous? Subjects-Children sBooks-People&Places-FamilyLife-Parents-Fiction? Subjects-Children sBooks-People&Places-SocialSituations-Manners-Fiction? Subjects-Children sBooks-Issues-General? Lonely Planet Chile Easter Island (Lonely Planet Chile and Easter Island) Lonely Planet? Charlotte Beech? Jolyon Attwooll? Jean-Bernard Carillet? LonelyPlanet? CharlotteBeech? JolyonAttwooll? Jean-BernardCarillet? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Travel? Subjects-Outdoors&Nature-Travel-Adventure-General? Subjects-Travel-Reference&Tips-Guidebooks? Subjects-Travel-GuidebookSeries-LonelyPlanet? Subjects-Travel-LatinAmerica-SouthAmerica-Chile? Subjects-Travel-LatinAmerica-SouthAmerica-General? Subjects-Travel-SpecialtyTravel-Adventure-General? Dingoes at Dinnertime (Magic Tree House) Random House Childrens Books? Mary Pope Osborne? Sal Murdocca? RandomHouseChildrensBooks? MaryPopeOsborne? SalMurdocca? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Authors&Illustrators,A-Z-(O)-Osborne,MaryPope? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Ages4-8-EarlyReaderSeries-MagicTreeHouse-Paperback? Subjects-Children sBooks-Literature-Action&Adventure? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-ScienceFiction,Fantasy,&Magic? An Introduction To The Policy Process Theories, Concepts, And Models Of Public Policy Making M E Sharpe Inc? Thomas A. Birkland? MESharpeInc? ThomasA.Birkland? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Government-PublicPolicy? Sarah Bloomsbury Pub Ltd? J. T. Leroy? BloomsburyPubLtd? J.T.Leroy? ユーズドブック(洋書)-Literature&Fiction? Substores-UnknownASINs-17? Subjects-Literature&Fiction-General-Contemporary? Transformers Ghosts of Yesterday (Transformers (Ballantine Books)) Del Rey? Alan Dean Foster? David Cian? DelRey? AlanDeanFoster? DavidCian? Formats-Paperback-Literature&Fiction? Formats-Paperback-ScienceFiction&Fantasy? Substores-PaperbackStore-ScienceFiction&Fantasy? Subjects-Literature&Fiction-GenreFiction-MovieTie-Ins? Subjects-ScienceFiction&Fantasy-Authors,A-Z-(F)-Foster,AlanDean? Subjects-ScienceFiction&Fantasy-ScienceFiction-Adventure? Subjects-ScienceFiction&Fantasy-ScienceFiction-General? Scholastic Success With Tests Reading - Grade 5 (Scholastic Success with Workbooks Tests Reading) Scholastic Prof Book Div? Scholastic News? ScholasticProfBookDiv? ScholasticNews? Subjects-Children sBooks-Ages9-12-General? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-Reading? Subjects-Nonfiction-Education-ElementarySchool? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Professional&Technical-Education-Pedagogy? The Creative Habit Learn It And Use It For Life Simon & Schuster (Paper)? Twyla Tharp? Mark Reiter? Simon&Schuster(Paper)? TwylaTharp? MarkReiter? ユーズドブック(洋書)-Health,Mind&Body? Substores-なか見！検索? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Creativity? Subjects-Health,Mind&Body-Self-Help-Creativity? Subjects-Health,Mind&Body-Self-Help-General? Quantum Field Theory in a Nutshell Princeton Univ Pr? Anthony Zee? PrincetonUnivPr? AnthonyZee? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-QuantumTheory? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-QuantumTheory? Maya Lin Systematic Landscapes Yale University Press? Lawrence Weschler? Richard Andrews? John Beardsley? YaleUniversityPress? LawrenceWeschler? RichardAndrews? JohnBeardsley? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Professional&Technical? Subjects-Arts&Photography-Art-Sculpture-General? Subjects-Arts&Photography-Art-Museums&Collections-Museums-General? Subjects-Arts&Photography-Art-General? Subjects-Arts&Photography-Architecture-Architects,A-Z-Lin,Maya? Subjects-History-Ancient-Mayan? Subjects-Professional&Technical-Architecture-Architects,A-Z-Lin,Maya? Subjects-Arts&Photography-Art-ArtHistory-Themes? All About Asset Allocation The Easy Way To Get Started (All About) Mcgraw-Hill? Richard A. Ferri? Mcgraw-Hill? RichardA.Ferri? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? The Rising Sun The Decline and Fall of the Japanese Empire, 1936-1945 (Modern Library War) Modern Library? John Toland? ModernLibrary? JohnToland? ユーズドブック(洋書)-History? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-General? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-Asia? Subjects-History-Asia-Japan? Subjects-History-Military-General? Dream Theater Falling into Infinity (Authentic Guitar-Tab) Warner Bros Pubns? Dream Theater? WarnerBrosPubns? DreamTheater? ユーズドブック(洋書)-Entertainment? Subjects-Entertainment-Music-Instruments&Performers-Guitar? Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-MusicalGenres-Rock? Subjects-Entertainment-Music-Theory,Composition&Performance-Songbooks-Popular? Catching the Big Fish Meditation, Consciousness, and Creativity J P Tarcher? David Lynch? JPTarcher? DavidLynch? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Creativity? Subjects-Health,Mind&Body-Self-Help-Creativity? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Nonfiction-Philosophy-Eastern-General? Subjects-Religion&Spirituality-NewAge-Meditation? Cambridge Klett Concise Polish-English Dictionary Cambridge Univ Pr (T)? CambridgeUnivPr(T)? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Medicine-Reference-Dictionaries&Terminology? Subjects-Nonfiction-Education-Reference-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Polish? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Polyglot? Theories of the Policy Process Westview Pr (Short Disc)? Paul A. Sabatier? WestviewPr(ShortDisc)? PaulA.Sabatier? ユーズドブック(洋書)-Nonfiction? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalTheory? Subjects-Nonfiction-SocialSciences-PoliticalScience-PublicPolicy? Subjects-Nonfiction-Government-PublicPolicy? A Busy Year Alfred a Knopf? Leo Lionni? AlfredaKnopf? LeoLionni? ユーズドブック(洋書)-Children sBooks? Substores-UnknownASINs-9? Subjects-Children sBooks-Authors&Illustrators,A-Z-(L)-Lionni,Leo? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Animals-Mice,Hamsters,GuineaPigs&Squirrels-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Forests&Trees-Fiction? Creating Affluence The A-To-Z Steps to a Richer Life New World Library? Deepak Chopra? NewWorldLibrary? DeepakChopra? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Health,Mind&Body-PersonalHealth-HealthyLiving? Subjects-Health,Mind&Body-Authors,A-Z-Chopra,Deepak? Subjects-Health,Mind&Body-Self-Help-Success? Subjects-Health,Mind&Body-General? Subjects-Nonfiction-Philosophy-Consciousness&Thought? Subjects-Religion&Spirituality-NewAge-Mysticism? Subjects-Religion&Spirituality-Authors,A-Z-(C)-Chopra,Deepak? Microsoft Flight Simulator X Master the Experience (Prima Official Game Guides) Prima Games? Bart G. Farkas? PrimaGames? BartG.Farkas? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Entertainment? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-Games&StrategyGuides? Subjects-Computers&Internet-General? Subjects-Entertainment-Puzzles&Games-Video&ElectronicGames? Martin Book A Complete History of Martin Guitars Backbeat Books? Walter Carter? BackbeatBooks? WalterCarter? ユーズドブック(洋書)-Entertainment? Subjects-Entertainment-Music-Instruments&Performers-Guitar? Subjects-Entertainment-Music-Instruments&Performers-Strings? Subjects-Entertainment-Music-General? Sesame Street Learn about Letters with Cookie Monster Ages 2 to 4 (Sesame Street An Educational Workbook) Learning Horizons? LearningHorizons? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Baby-3-BasicConcepts-General? Subjects-Children sBooks-Baby-3-SesameStreet? IELTS Preparation and Practice OUP Australia and New Zealand? Wendy Sahanaya? Jeremy Lindeck? OUPAustraliaandNewZealand? WendySahanaya? JeremyLindeck? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Pronunciation&ConversationalEnglish? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-ListeningComprehension? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-TOEFLTestPrep? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Pronunciation&ConversationalEnglish? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-ListeningComprehension? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-TOEFLTestPrep? The Old Wine Shades A Richard Jury Mystery (Richard Jury Novels) Onyx Books? Martha Grimes? OnyxBooks? MarthaGrimes? ユーズドブック(洋書)-Mystery&Thrillers? Formats-Paperback-Literature&Fiction? Formats-Paperback-Mystery&Thrillers? Substores-PaperbackStore-Mystery&Thrillers? Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Authors,A-Z-(G)-Grimes,Martha? Subjects-Mystery&Thrillers-Mystery-BritishDetectives? Baby's Busy World A Point-and-Learn Book of Baby's First Words Dk Pub? Dawn Sirett? Victoria Blackie? Gary Ombler? Andy Crawford? DkPub? DawnSirett? VictoriaBlackie? GaryOmbler? AndyCrawford? Subjects-Children sBooks-Baby-3-BasicConcepts-General? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Ages4-8-General? Kate Greenaway's Mother Goose Huntington Library Pr? Kate Greenaway? HuntingtonLibraryPr? KateGreenaway? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Parenting&Families? ユーズドブック(洋書)-Reference? Subjects-Arts&Photography-Art-ArtHistory-General? Subjects-Arts&Photography-Art-General? Subjects-Children sBooks-Baby-3-NurseryRhymes-General? Subjects-Children sBooks-Literature-Children sLiteratureGuides? White Rooms Harper Design Intl? Jordi Sarra? HarperDesignIntl? JordiSarra? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Professional&Technical? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-Arts&Photography-Architecture-InteriorDesign-Lighting? Subjects-Home&Garden-How-to&HomeImprovements-Decorating-General? Subjects-Home&Garden-InteriorDesign-Decoration&Ornament? Subjects-Home&Garden-InteriorDesign-General? Subjects-Home&Garden-InteriorDesign-Lighting? Origami Sea Life (Origami) Dover Pubns? John Montroll? Robert J. Lang? DoverPubns? JohnMontroll? RobertJ.Lang? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Art-Sculpture-General? Subjects-Entertainment-Puzzles&Games-Puzzles? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Origami? Trout Hunter The Way of an Angler Pruett Pub Co? John Randolph? Rene Harrop? Andre Puyans? PruettPubCo? JohnRandolph? ReneHarrop? AndrePuyans? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Fishing-FlyFishing-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing-Fishing-General? Subjects-Sports-General? Subjects-Sports-Hunting&Fishing-Fishing-FlyFishing-General? Subjects-Sports-Hunting&Fishing-Fishing-General? Transformers 2 War Within (Transformers) Idea & Design Works Llc? Simon Furman? Don Figueroa? Idea&DesignWorksLlc? SimonFurman? DonFigueroa? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Comics&GraphicNovels-General? Subjects-Comics&GraphicNovels-GraphicNovels-General? Subjects-Entertainment-Movies-Guides&Reviews? Cold Service (Spenser Mysteries) Berkley Pub Group (Mm)? Robert B. Parker? BerkleyPubGroup(Mm)? RobertB.Parker? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Mystery&Thrillers? Formats-Paperback-Literature&Fiction? Substores-PaperbackStore-Literature&Fiction? Substores-PaperbackStore-Mystery&Thrillers? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-GenreFiction-Action&Adventure? Subjects-Mystery&Thrillers-General? Subjects-Mystery&Thrillers-Authors,A-Z-(P)-Parker,RobertB.-General? Subjects-Mystery&Thrillers-Authors,A-Z-(P)-Parker,RobertB.-Paperback? Le Rouge Et le Noir / Red Black Pocket (FR)? Stendhal? Pocket(FR)? Stendhal? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? Subjects-Literature&Fiction-Authors,A-Z-(S)-Stendhal? Subjects-Literature&Fiction-General-Classics? Subjects-Literature&Fiction-WorldLiterature-French? Subjects-Literature&Fiction-WorldLiterature-Untranslated-French? Subjects-Nonfiction-Education-LanguageInstruction? Subjects-Reference-ForeignLanguages? The Great Theft Wrestling Islam from the Extremists Harper San Francisco? Abou El Fadl Khaled? HarperSanFrancisco? AbouElFadlKhaled? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Law-ConstitutionalLaw-HumanRights? Subjects-Nonfiction-Politics-Activism? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment-IslamicGovernment? Subjects-Nonfiction-Law-ConstitutionalLaw-HumanRights? Subjects-Religion&Spirituality-Islam-General? Subjects-Religion&Spirituality-Islam-History? 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Subjects-Literature&Fiction-ShortStories-General? Subjects-Literature&Fiction-WorldLiterature-Japanese? The Art of Making Beautiful Fashion Doll Shoes Hobby House Pr Inc? Timothy J. Alberts? M. Dalton King? Pat Henry? HobbyHousePrInc? TimothyJ.Alberts? M.DaltonKing? PatHenry? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Fashion-General? Subjects-Home&Garden-Antiques&Collectibles-Dolls? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-General? Star Wars Clone Wars Last Stand on Jabiim (Star Wars Clone Wars (Graphic Novels)) Dark Horse Comics? Haden Blackman? Brian Ching? DarkHorseComics? HadenBlackman? BrianChing? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-ScienceFiction&Fantasy? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Literature-PopularCulture? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Comics&GraphicNovels? 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PerseusBooks(Sd)? RichardPhillipsFeynman? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Mechanics? Forgiveness The Greatest Healer of All Beyond Words Pub Co? Neale Donald Walsch? Gerald G. Jampolsky? BeyondWordsPubCo? NealeDonaldWalsch? GeraldG.Jampolsky? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Religion&Spirituality? Substores-なか見！検索? Subjects-Health,Mind&Body-Psychology&Counseling? Subjects-Health,Mind&Body-MentalHealth-Emotions? Subjects-Health,Mind&Body-MentalHealth-Happiness? Subjects-Health,Mind&Body-Self-Help-General? 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Introduccion a la ingenieria y al diseno en la ingenieria / An Introduction to Engineering Engineering Design Limusa? Edward V. Krick? Limusa? EdwardV.Krick? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Ingenieria de cimentaciones / Foundation Engineering Limusa? Ralph Brazelton Peck? Limusa? RalphBrazeltonPeck? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Civil-Construction-Materials? Subjects-Engineering-Civil-Construction-Masonry? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-Masonry? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-General Analisis Matematico Avanzado/ Advanced Engineering Analysis Con Aplicaciones a Ingenieria Y Ciencias / With Applications to Engineering and Sciences Limusa? J. N. Reddy? M. L. Rassmussen? Limusa? J.N.Reddy? M.L.Rassmussen? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-Applied-Engineering-General? El Abc De Las Instalaciones Electricas Industriales Limusa? Gilberto Enriquez Harper? Limusa? GilbertoEnriquezHarper? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-General Manual De Formulas De Ingenieria / Manual of Engineering Formulas Rafael Garcia? undefined RafaelGarcia? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-Reference? Subjects-Science-Mathematics-Applied-Engineering-General? Geologia aplicada a la ingenieria civil / Geology Applied to Civil Engineering Limusa? Mariano Ruiz? Limusa? MarianoRuiz? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Geotechnical? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-General? 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Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Professional&Technical-Engineering-General Fundamentos De Metodos Matematicos Para Fisica E Ingenieria / Basis of Mathematic Methods for Physic and Engineering Evguenii Kurmyshev? undefined EvgueniiKurmyshev? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Subjects-Science-Mathematics-Applied-Engineering-General? Subjects-Science-Mathematics-MathematicalPhysics? Introduccion A La Ingenieria/introduction To Engineering Paul Wrigth? Raul Arrioja Juarez? undefined PaulWrigth? RaulArriojaJuarez? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? 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Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Diseo Electronico - 3 Edicion Prentice Hall? C. J. Savant? PrenticeHall? C.J.Savant? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Estudios de Tiempos y Movimientos Prentice Hall? Fred E. Meyers? PrenticeHall? FredE.Meyers? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Metodos Numericos Para Ingenieros McGraw-Hill Companies? R. Canale? Steven Chapra? McGraw-HillCompanies? R.Canale? StevenChapra? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? 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Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Ingenieria Electrica Para Todos Los Ingenieros Alfaomega Grupo Editor? Roadstrum? AlfaomegaGrupoEditor? Roadstrum? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Analisis y Diseno de Estructuras Tomo 2 Estructura Alfaomega Grupo Editor? Juarez Antonio Heberto Castillo? Martinez Heberto Castillo? AlfaomegaGrupoEditor? JuarezAntonioHebertoCastillo? MartinezHebertoCastillo? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Ingenieria Industrial - 10b* Edicion Alfaomega Grupo Editor? Benjamin Niebel? AlfaomegaGrupoEditor? BenjaminNiebel? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Simulacion de Circuitos Electronicos de Potencia Alfaomega Grupo Editor? Emilio Figueres Amoros? AlfaomegaGrupoEditor? EmilioFigueresAmoros? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-68? Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Materiales En Ingenieria. Problemas Resueltos Alfaomega Grupo Editor? Francisco Javier Gil Mur? AlfaomegaGrupoEditor? FranciscoJavierGilMur? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-General Diseno de Concreto Reforzado Alfaomega Grupo Editor? Jack C. McCormac? AlfaomegaGrupoEditor? JackC.McCormac? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? 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Subjects-Professional&Technical-Engineering-General Images of Development Egyptian Engineers in Search of Industry Amer Univ in Cairo Pr? Clement Henry Moore? AmerUnivinCairoPr? ClementHenryMoore? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-General Structural Pattern Analysis (Series in Computer Science) World Scientific Pub Co Inc? Roger Mohr? Theo Pavlidis? Alberto Sanfeliu? WorldScientificPubCoInc? RogerMohr? TheoPavlidis? AlbertoSanfeliu? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-56? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? 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Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General High Speed Computing Devices Tomash Pubs? A. Cohen? TomashPubs? A.Cohen? ジャンル別? Substores-UnknownASINs-32? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Fire Captain Oral Exam Study Guide Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-StudyGuides? Firefighter Written Practice Exams/1993 Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-StudyGuides? Firefighter Written Exam Study Guide Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-StudyGuides? Fire Captain Written Exam Study Guide Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-StudyGuides? Fire Engineer Written Practice Exams Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Careers-CivilService? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Fire Service Entrance Exam Preparation Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Substores-UnknownASINs-32? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Fire Service Entrance Exam Preparation Information Guides? Arthur R. Couvillon? InformationGuides? ArthurR.Couvillon? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Muffler Shop Manual How to Start, Manage and Operate a Successful Muffler Service Auto Pub? Ray Teagarden? AutoPub? RayTeagarden? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Mechanics-General? Subjects-Professional&Technical-Engineering-General Engineers And Scientists What They Don't Teach You in College Graduate Group? Burton Brodt? GraduateGroup? BurtonBrodt? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
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【登録タグ G HEART CHAIN SYNC.ART'S 坂上なち 曲 緑眼のジェラシー】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*